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"The maddest 12 months of my life. The journey starts with an oddball race up an American mountain and ends with me checking myself out of hospital with a broken back. Again. . ."

As Guy Martin's grandfather Voldemars frequently reminded him, "When you dead, you dead." So, before it's all over, Guy Martin is making the most of the time he’s got. In this past year alone, Guy has raced the Isle of Man TT and finished on the podium; bike trekked through India; competed in solo 24-hour bicycles races; flown a stunt plane; broken a go-kart speed record down a French mountain; and dusted himself off after a dramatic crash at the Dunrod 150 Superbike race. And he’s done all this around his day job as a truck mechanic. But let Guy tell you about it himself: "This book starts in a Transit, ends in a Transit, and in between I’ve raced a few pushbikes, raced a few motorbikes and got a fair few stories to tell you." Spot on.

• Sales Rank: #2136156 in Books
• Published on: 2015-11-01
• Released on: 2016-09-27
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.22" w x 6.50" l, 1.66 pounds
• Binding: Hardcover
• 320 pages

About the Author
Guy Martin is a professional truck mechanic who has won multiple international road races, including 11 Ulster GPs and eight Scarborough Gold Cups, plus scoring 14 Isle of Man TT podiums. Neither has it prevented him from presenting five critically acclaimed prime-time TV series, being the subject of a BAFTA-nominated documentary or breaking British and World land speed records along the way. He is the author of How Britain Worked, My Autobiography, and Speed.

Most helpful customer reviews

5 of 7 people found the following review helpful.
Thoroughly Dislikeable Bloke
By DJM
I used to really admire Guy Martin and read and enjoyed his autobiography, bought the T-shirts, etc. I bought this book from his web store directly to get it "signed" with a thumbprint (he couldn't sign with a pen due to a recent crash). Unfortunately as this book progressed I began to dislike him more and more.

Guy is starting to really sound like a prima donna with double standards. There is a lot of admissions about things being staged for his TV show amongst a lot of criticisms of other riders being fake or up themselves. He laughs at fans who "dress up like they think real racers should" without realizing his often mentioned endorsement deal with his helmet and leathers supplier only exists due to this copycat effect.

Most of all I just got sick of him complaining about how much he hates the fans and the attention when everything he does now is publicity (TV, books, etc). There are plenty of people riding Pikes Peak without TV crews following them, so it is possible to do such things without a retinue.

I know he has always had his detractors but I was never in that camp. However, with this book. He shows very little respect to the people who put him where he is, says very (unwarranted) disparaging things about other widely respected riders and comes across as a thoroughly dislikeable person. It's very hard to finish an autobiography when you think the author is a pillock and I gave up a couple of chapters from the end.

2 of 2 people found the following review helpful.
Brilliant, enjoy this lad speaks his mind absolute legend
By Karl Meachin
Brilliant , enjoy this lad speaks his mind absolute legend. Great read highly recommended.

1 of 1 people found the following review helpful.
Wonderful !!
By Amazon Customer
Great book.

Nice to read, very funny, but also lessons to learn.

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• Sales Rank: #3699485 in Books
• Published on: 2013-03-21
• Dimensions: 8.50" h x .19" w x 5.50" l,
• Binding: Paperback
• 80 pages

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2 of 2 people found the following review helpful.
Required reading for anyone interested in neuroplasticity and mental health
By Josh Krisch
Excellent and coherent exploration of the brain and how it all works. Highly recommended for anyone interested in the study of neuro.

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They shouldn’t do it without protection…
Lust takes over. We’ve all had it happen. Our thoughts narrow, our desires focus, and nothing matters except being erotically and intimately joined with a hot partner. In these stories, that lust is magnified—because when that level of need hits three people at once, there’s no stopping it!
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• Sales Rank: #245655 in eBooks
• Published on: 2015-04-21
• Released on: 2015-04-21
• Format: Kindle eBook

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By Clarissa
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Great bundle!
By LovesHappyEndings
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Nicely done
By Lexi Q
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Crease on cover.

• Sales Rank: #5041711 in Books
• Published on: 1991
• Format: Import
• Original language: English
• Dimensions: 11.02" h x .51" w x 8.50" l,
• Binding: Paperback
• 336 pages

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“On our first day of school, Robert and I stood at the designated stop at Hevers Avenue with our mothers, and that's when we met for the very first time. We were five years old.”

So began a lifelong friendship that fourteen years later would result in the formation of The Cure, a quintessential post-punk band whose albums—such as Three Imaginary Boys, Pornography, and Kiss Me, Kiss Me, Kiss Me—remain among the best-loved and most influential of all time.

As two of the first punks in the provincial English town of Crawley, Lol Tolhurst and Robert Smith didn't have it easy. Outsiders from the start, theirs was a friendship based initially on proximity and a shared love of music, from the punk that was raging in nearby London to the groundbreaking experimentation of David Bowie's “Berlin Trilogy.” First known as The Easy Cure, they began playing in pubs and soon developed their own unique style and approach to songwriting, resulting in timeless songs that sparked a deep sense of identification and empathy in listeners, songs like “Boys Don't Cry,” “Just Like Heaven,” and “Why Can't I Be You?,” spearheading a new subculture dubbed “Goth” by the press. The music of The Cure was not only accessible but also deeply subversive, challenging conventional notions of pop music and gender roles while inspiring a generation of devoted fans and a revolution in style.

Cured is not only the first insider account of the early days of the band, it is a revealing look at the artistic evolution of the enigmatic Robert Smith, the iconic lead singer, songwriter, and innovative guitarist at the heart of The Cure. A deeply rebellious, sensitive, tough, and often surprisingly “normal” young man, Smith was from the start destined for stardom, a fearless non-conformist and provocateur who soon found his own musical language through which to express his considerable and unique talent.

But there was also a dark side to The Cure's intense and bewildering success. Tolhurst, on drums and keyboards, was nursing a growing alcoholism that would destroy his place in The Cure and nearly end his life. Cured tells the harrowing and unforgettable story of his crash-and-burn, recovery, and rebirth.

Intensely lyrical and evocative, gripping and unforgettable, Cured is the definitive story of a singular band whose legacy endures many decades hence, told from the point of view of a participant and eyewitness who was there when it happened—and even before it all began.

• Sales Rank: #7189 in Books
• Published on: 2016-10-11
• Released on: 2016-10-11
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.30" w x 6.00" l, .0 pounds
• Binding: Hardcover
• 312 pages

Review
Pitchfork, 9/27/16
What begins as a coming-of-age storyand a fascinating snapshot of late 70s small-town Britain, a world rapidly fading from viewends up as a remarkably moving redemption narrative, one fueled by Tolhurst s considerable wit and welcome candor.
Yahoo Music, 9/28/16
Compulsively readablea fascinating chronicle not only of one man s disintegration and renewal, not only of two boys unique friendship, but also of an incredibly important era in music.
Salon, 10/5/16
Tolhurst s truths are wildly entertaining, to be sure, especially where music is concernedthe musician is also, however, an unsparing narrator who has been honest about his sometimes-difficult upbringing and his own flaws.
Washington Times, 10/5/16
Part rock bio and part cautionary tale, [Cured] is easily the best rock book in some time.
Billboard, 10/6/16
Fascinating.
"

About the Author
Laurence "Lol" Tolhurst formed The Cure with Robert Smith in 1978. The Cure would go on to chart an impressive selection of achievements that includes selling over 27 million units worldwide and earning 40 Platinum and Gold Records. Lol, who continues to write and perform, makes his home in Los Angeles.

Most helpful customer reviews

23 of 25 people found the following review helpful.
“I didn’t need him to tell me that; I already knew what hell was like.”
By AcousticWarrior
I enjoyed Lol’s memoir for the most part. His writing style is good, and I managed to finish the book in just two days. In it, you’ll find lots of interesting, occasionally funny, tidbits about The Cure’s history, like the Billy Idol toilet incident, or he and Robert’s constant altercations with skinheads. Lol does a good job setting up a dynamic between him and Robert- one of best friendship, followed by a bitter sacking and lawsuit, and ultimately reconciliation after Lol recovered from his crippling alcoholism.

The reason I have to deduct a star is that Lol's recounting of 1985-1989 seems insufficiently thorough. This can be blamed in part on Lol’s out-of-control alcoholism and diminishing role in the band, but there are three omissions I find particularly odd. First, while Lol discusses songs like Killing An Arab, Let's Go To Bed, The Walk, and Love Cats at length, he has nothing to say about any of the prolific songs which emerged during the 1985-1989 period like Inbetween Days, Close To Me, Just Like Heaven, or Lovesong, let alone the colorful videos Tim Pope made for Close To Me and Why Can’t I Be You? He mentions Robert's room catching fire during the Disintegration sessions, but stops just short of saying this was the inspiration for Pictures Of You. Nor does Lol state which of his, albeit few, ideas made it to the Disintegration album (Homesick is rumored to stem from one of his demos). Second, Lol doesn’t even mention Roger O’Donnell (“a midterm addition to the band”) until the book’s last chapter on the 2011 Reflections shows. In reality, Roger joined in 1987 because of Lol’s incompetence, and even filled in for Lol at shows where he was too drunk to perform. Third, I’ve read many articles describing Lol as the butt of vicious abuse by other band members in the late 80s- Robert even penned Shiver and Shake and Babble about him. Lol has nothing to say about this either.

That being said, do get this book if you’re a Cure fan, because you’ll probably learn something. I emerged with a newfound respect for both Robert and Lol. Robert, the enigmatic figure who’s “part of this world and also not part of it,” and someone who fought hard for his success, as well as Lol’s protection. Lol, someone who while not very technically proficient, served as the band’s “X Factor,” and likely kept Robert from disbanding The Cure altogether circa 1983/84.

7 of 7 people found the following review helpful.
A Must Read for any Cure Fan
By Samantha Wilton
Cured is a unique and eye-opening account of the band's earliest years, life on tour, and Lol's own disintegration into alcoholism. Surprisingly well written and captivating, and with beautiful cover art designed by former band member Pearl Thompson, the book reads as a conversation with an old friend. I found myself laughing, smiling, and even crying as I read Lol's version of events. My heart breaks for little Lol growing up with a distant father. I feel his teenage angst as he describes the desire to escape his dismal surroundings and carve out a space for himself in the fascinating world of rock and roll. And I ache when I read how it felt for him to have been pushed out of the band when alcoholism got the best of him. The real triumph of this story comes in the form of his inspirational journey back from destruction. For years we fans have heard the rumors, seen the mockery that has been made of Lol, and wondered how it all truly went down. Tolhurst proves, much to our delight, that things are never so one-sided. A must read for any die-hard fan, this remarkably personal look into his life will turn you into a Lol Tolhurst fan if you're not already.

0 of 0 people found the following review helpful.
One of the best music memoirs/autobiographies I've read--and not just because I love ...
By A reader
One of the best music memoirs/autobiographies I've read--and not just because I love the Cure.

Funnily enough, I had been thinking about the lack of any really good recent books about the Cure, or by a member of the Cure--and not a day later, I read that this book was about to be released. I ordered it and waited eagerly for its release.

I didn't know what to expect; I haven't read or heard all that many interviews with Lol, and I wasn't sure what his style, voice, or tone would be like. Music autobios/memoirs are a crap shoot. Some are well done and leave you with a good sense of the individual and the evolution of his or her music and career; some are informative, but all too obviously written by ghost writers or edited with a heavy hand; and some are just plain disappointing across the board due to bad writing and/or the lack of honest self reflection and introspection on the part of the musician.

So I was very pleased to find out how much I truly enjoyed the book (I read it in a couple days). Lol is honest and authentic, which makes this book a satisfying read. He does an excellent job of recounting stories from the Cure's early days from his own perspective, providing insight into the personalities and relationships that make The Cure The Cure. He's respectful of his former bandmates, while primarily turning the critical eye towards himself. And unlike some musicians, he doesn't start telling a story only to end it abruptly with "well, I won't get into what happened next, it's too personal." Any story he tells, he tells from beginning to end, getting the point across without being unnecessarily salacious or shocking. This indicates a respect for the reader as well.

I'm really glad I read this book (and happened to hear about it at just the right time). I applaud Lol Tolhurst for the work he did in providing us with a genuinely insightful and satisfying read.

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[T250.Ebook] Download PDF The University of Google: Education in the (Post) Information Age, by Tara Brabazon

Download PDF The University of Google: Education in the (Post) Information Age, by Tara Brabazon

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Looking at schools and universities, it is difficult to pinpoint when education, teaching and learning started to haemorrhage purpose, aspiration and function. Libraries and librarians have been starved of funding. Teachers cram their curriculum with 'skill development' and 'generic competencies' because knowledge, creativity and originality are too expensive to provide to unmotivated students and parents obsessed with league tables, not learning. Meanwhile, the internet offers a glut of information on everything-under-the-sun, a mere mouse-click away. Bored surfers fill their cursors and minds with irrelevancies. We lose the capacity to sift, discard and judge. Information is no longer for social good, but for sale. Tara Brabazon argues that this information fetish has been profoundly damaging to our learning institutions and to the ambitions of our students and educators. In The University of Google she projects a defiant and passionate vision of education as a pathway to renewal, where research is based on searching and students are on a journey through knowledge, rather than consumers in the shopping centre of cheap ideas. Angry, humorous and practical in equal measure, The University of Google is based on real teaching experience and on years of engaged and sometimes exasperated reflection on it. It is far from a luddite critique of the information age. Tara Brabazon celebrates the possibilities of digital platforms in education, but deplores the consequences of placing funding on technology and not teachers. In doing so, she opens a new debate on how to make our educational system both productive and provocative in the (post-) information age.

• Published on: 2016-02-17
• Released on: 2016-02-17
• Format: Kindle eBook

Review
'A passionate, scholarly, deeply considered and, at the same time, "practical" critique of how universities internationally confuse access to digital information with developing educated and critical citizens. The book will be of value in positively shaping both pedagogic practice and institutional policies.' Alan Jenkins, Oxford Brookes University, UK 'The University of Google is my book of the year for 2007. I have nagged colleagues and friends to read ever since I saw a manuscript copy. It will have a huge impact on everyone in higher education, helping those suspicious of new media to formulate their criticisms and those eager to adopt it better placed to introduce it appropriately.' Frank Webster, City University London, UK 'Angry, experiential and humorous, this book connects with the modern teaching experience in so many ways. Any tutor, teacher or administrator who has ever had to upload a series of lecture notes with the knowledge that many students will merely download the notes and not attend the lecture will engage with this book. The pages offer guidance to bridging the gap between principles and practice. It offers practical steps to blocking students from googling their way through their degrees...This is an engaging book that should grace the shelves of any digitally-aspirant teacher.' M/C Reviews, media-culture.org.au 'It is a thoroughly researched and clearly argued work, written with passion and commitment...As the title suggests, The University of Google tackles the problems and possibilities of the online and digital realm. Brabazon is not a Luddite, and understands that such media and spaces have potential for higher education: the fault is not with the media per se, but how or why it might be used...Perhaps it is for those policy makers further up the academic pecking order that The University of Google would make the most interesting reading, as ultimately it is their decisions that affect those of us at the chalk-face.' Art/Design/Media - The Higher Education Academy '...this is an exhilarating book and I recommend it unreservedly: anyone working in education (and especially Vice Chancellors, Presidents or Rectors) ought to read this book and then go away and ask themselves why they aren't doing better by society and by the students they enroll in their institutions.' Information Research 'This book has some important things to say about what we should be doing to safeguard the quality of education, about what education is, its purpose, and how technology should be our servant not the servant of our masters. I recommend it strongly. ' Ariadne 'Professor Brabazon speaks from her experience in both Australia and the United Kingdon as a media studies lecturer. She draws on a rich reserve of stories from and about her students, as well as reports and commentaries from a broad range of academic and cultural sources...' Studies in Learning, Evaluation, Innovation and Development 'In The University of Google, Tara Brabazon offers practical suggestions for dealing with dilemmas of digital plagiarism, i-lectures, and the e-university...The University of Google aims to provide constructive solutions to educating students from under-represented groups in the age of the internet...she offers practical suggestions for teaching students critical literacy in the age of the internet, including frank and personal details that confront her in daily life...the book is creatively and engagingly written, broad and ambitious in scope...' International Review of Modern Sociology 'The book is highly detailed analysis of the topic and is illustrated with text from a great number of Brabazon's personal emails (mainly from her students). The book can be praised both for this strategy and a report on her own methods of improving digital literacy: she clearly demonstrates her passion and commitment to the issue, thus encouraging other educators to follow suit. The book is recommended to those active in university education, including lecturers and those in administration as well as students and librarians, who may benefit from an academic's analysis of learning styles and outcomes.' Information, Communication & Society 'a very passionate book written by a teacher and researcher who really worries about the developments in educational institutions. The passion is based on a comprehensive insight in matters concerning learning, literacies, communication and policies affecting the universities...It is a very brave book discussing and criticizing the implications of many of the phenomena we find it hard to oppose simply because they permeate our daily lives and the institutions in whcih we work...The book is highly recommended as a both enjoyable and frightening read.' New Library World 'Brabazon states that books about teaching are often dull. This book is not, and written in a very accessible style with reference to a wide range of literature...I would recommend this book to anyone interested in higher education and technology' Higher Education Review

About the Author
Tara Brabazon is Professor of Education and Head of the School of Teacher Education, Charles Sturt University, Australia

Most helpful customer reviews

7 of 7 people found the following review helpful.
Students in search of a face-to-face teacher
By M. Werner
Tara Brabazon's book "University of Google" (2007) provides a complete discussion of the issues surrounding the push in higher education towards online delivery of course content. Brabazon discusses how university administrators have been economically pressured to increase revenues and reduce the cost of faculty through the use of online courses. She provides numerous literature references arguing that the primary mission of universities, namely a student's education, has and will continue to suffer using this approach. While there is a significant discussion of the advantages of online tools, such as Google, there is also a thoughtful argument presented that states, "Google is facilitating laziness, poor scholarship, and compliant thinking." Brabazon attempts to provide some remedies to this push toward online education, but I wish that she would have explored this more with additional concrete examples of alternatives to the use of the online approach. Most of the examples she does provide come from the Arts and Humanities but can be applied more broadly across the spectrum of disciplines in higher education. Her argument that students miss out on the non-textual cues (i.e. other student responses, smells, tastes, etc.) by viewing an online lecture rather than a face-to-face lecture is compelling. I came away from reading this book inspired to focus on improving my own lecture skills and enhancing interactions with students in the classroom. I agree with Brabazon's assessment that "students are not consumers", and education is most effective when rigorous, challenging, and at times painful. Only when students are challenged to the brink are they truly transformed into well educated, literate, critical human beings.

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